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MARY ABBE | Star Tribune

MIA sends Nazi 'loot' home to Paris
Minneapolis Institute Of Arts
Fernand Leger’s “Smoke Over Rooftops” has been returned to the heirs of Jewish collector Alphonse Kann.
By MARY ABBE, Star Tribune | Last update: October 30, 2008 - 5:19 AM

After 10 years of detective work, the Minneapolis Institute of Arts has concluded that a $2.8 million painting it has owned for decades was stolen by the Nazis. The museum has returned the 1911 painting, Fernand Leger's "Smoke Over Rooftops," to the French heirs of a Jewish art collector who died in 1948.

"Having researched this to the end of the road, we decided we had to return the painting; it was the right thing to do," said Art Institute Director Kaywin Feldman.

Other museums have faced similar challenges to their collections. The institute's saga began in 1997 when the museum received a letter claiming that the painting had been taken from Alphonse Kann, a legendary French collector who owned "tons of Picassos, Braques and late-19th-century Impressionist paintings," according to Patrick Noon, the institute's paintings curator. His story helped inspire a 1964 movie, "The Train," starring Burt Lancaster, about a trainload of art that the Germans tried to spirit away before the Allies liberated Paris in 1944.

Much of Kann's art was returned to him after World War II, but not the Leger. That painting was bequeathed to the museum in 1961 by Minneapolis businessman Putnam Dana McMillan, a General Mills vice president who bought it from the Buchholz Gallery in New York in 1951. No one questioned the picture's history. Nazi-era archives were sealed in France and inaccessible in Soviet-controlled Eastern Europe.

Responding to the claim took years because the museum had to establish if it was legitimate. Was this Leger the same one Kann had owned? ("Smoke Over Rooftops" was a theme Leger painted at least six times.) If so, what had happened to the picture between 1939, when Kann fled Paris on the eve of war, and 1949 when a New York art dealer bought it from a French gallery? Did Kann sell it freely, or did the Nazis confiscate it?

"Many of the people who could tell stories and remember what happened were gone," Feldman said.

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